翻訳と辞書
Words near each other
・ Farid Zablith Filho
・ Farid Zaland
・ Farid Zarif
・ Farid Zato-Arouna
・ Farid Zerroukhat
・ Farid Zhangirov
・ Farid-Es-Sultaneh v. Commissioner
・ Farid-ud-Din Qadri
・ Farida
・ Farida (given name)
・ Farida Abdulla Khan
・ Farida Azizi
・ Farida Azizova
・ Farida Bedwei
・ Farida Belghoul
Farida Benlyazid
・ Farida Diouri
・ Farida Force
・ Farida Guitars
・ Farida Haddouche
・ Farida Jalal
・ Farida Karodia
・ Farida Khanawadi
・ Farida Khanum
・ Farida Khanum discography
・ Farida Mammadova
・ Farida Mohammad Ali
・ Farida Mzamber Waziri
・ Farida Nekzad
・ Farida of Egypt


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Farida Benlyazid : ウィキペディア英語版
Farida Benlyazid

Farida Benlyazid (born March 18, 1948, Tangier, Morocco) is one of the few female Moroccan directors and screenwriters.
== Career ==
Farida Benlyazid earned her Bachelor's degree in Film and Literature from the University of Paris in 1974-1976. She later received her Master's degree from the Ecole Supérieure des Etudes Cinématographiques in Paris. Immediately following her graduation, she started writing films.〔(【引用サイトリンク】url=http://www.nytimes.com/movies/person/271679/Farida-Benlyazid/biography )
Her most popular films include ''Bab al-sama' maftooh'' (1989), ''Keïd Ensa'' (1999) and ''Nia taghled'' (2000).
She has directed a total of six movies, written a total of five movies, produced a total of two movies, and created two documentaries. In 1991 she created her own production company called "Tingitania Films."〔(【引用サイトリンク】url=http://www.imdb.com/name/nm0069937/?ref_=nmbio_bio_nm )〕 Her films focus on the role of Moroccan women from the time of Moroccan indepdence in 1956 through the present day. In most of her films, there is a strong connection between Islam and feminism. Most of her females characters use Islam as a way to guide their own feminist identities and philosophies. In her films, Islam is always portrayed as a soft image and a religion that boasts equality between men and women. She uses common techniques of Islamic feminists in her films, including the rewriting of old myths and stories by giving women their own voices. Her films emphasize the important role of women and their contribution to Moroccan society. Besides gender inequality and gender roles, her films also analyze Moroccan society and focus on issues of social and political power, as well as colonialism. Her films are more popular in Western cultures than in Morocco, so her films subtly critique Moroccan culture, society, and colonialism, but are never directly negative.〔(【引用サイトリンク】url=http://pre2014.alfilm.de/index.php?option=com_content&view=category&layout=blog&id=92&Itemid=170&lang=en )〕〔(【引用サイトリンク】url=http://www.arteeast.org/ai1ec_event/the-dogs-life-of-juanita-narboni-by-farida-belyazid/ )

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Farida Benlyazid」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.